O Street’s Glasgow Film Festival 2022 Picks

08.03.22

 

Glasgow Film Festival opened last week! To celebrate the opening of our favourite film fest, we’ve combed the listings and each chosen a top film pick.

 

Neil

Cape Fear

Made in the year I was born, I didn’t get see Cape Fear until an arthouse screening in my late teens almost 20 years later. 40 years on, it has stayed with me. The oppressive fusion of criminal cool with intrinsic nastiness is utterly disturbing. I still find myself wondering how Universal were talked into making such a difficult and ground-breaking piece. Down in no small part to the star-power of Peck and Mitchum who were determined to play the lead roles of good and off-kilter evil with absolute conviction. It’s no surprise the censors demanded numerous cuts before they would even grant it an X certificate. It’s one of those films that leaves a mark. Directors such as Nick Roeg and have referenced it and Scorsese directed the 1991 remake. However, in context of the time it was made, the original just simmers with so much unusual menace that you won’t forget it either.

 

David

a-ha: The Movie

I remember first seeing a-ha’s Take on Me video on Top of the Pops and being amazed. It was totally unique: clever, cinematic, grungy and fun. I should add, I grew up to like much cooler, edgier music (ahem…) and only wore leather strap bracelets that summer. All the same, I’ve picked this movie as my highlight for the walk down memory lane and a chance to tumble into that pencil sketch world one more time!

 

Tessa

The Hermit of Treig

It’s got to be The Hermit of Treig. Purely because of my fascination of the freedom of wilderness contrasted with the reality of a lonely life off-grid. Sign me up. This is sure to be emotional journey of exploring that balance between independence and isolation, at two very extreme ends of the spectrum.

 

Jack

Monstrous

My GFF pick is (drumroll) … Monstrous. There’s been a bit of a reinvention of Monster horror in recent years, rather than being a tool for punching down (think of the stigmatisation of the mentally ill as serial killers or ‘demonic’ figures, a la Jason Vorhees etc.), directors (example: Jennifer Kent of Babadook) have used the genre to reveal deeper, more insidious forms of trauma and terror that haunt the everyday experiences of marginalised people. A real, pervasive threat, as opposed to an aberrant, fantastical unlikelihood. Monstrous looks to continue on in that vein. Very anxious to be anxiously watching this one!

 

Eli

Mandrake

Does everyone really deserve redemption? Or are some people simply evil? Mandrake is a thrilling, demonic tale featuring witchcraft and heavy violence. I got so excited about this film I bought a ticket immediately! As someone who prefers to go into a film knowing as little as possible, I have no idea what to expect – maybe some strange mix between The Witch and Silence of the Lambs, or maybe something a little darker… I can’t wait.

 

George

Superior

A mysterious, thrilling, Lynchian film, with influences from Almódovar and textural, filmic, saturated cinematography. I’m a real sucker for a super stylised film, and Superior’s 80s, 16mm aesthetic really hits the spot.

 

Happy watching!

 

 

NTS all engines go

17.03.17

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credit: Hoskins Architects

O Street was invited down to the new digs of one of our favourite collaborators, National Theatre of Scotland . We loved the company (although stiff gin pours and BrewDog beers didn’t hurt). The building, designed by Hoskins Architects, embodies the NTS brand of being a ‘Theatre Without Walls’. It was a thrill to see this new engine of Scottish theatre at work.

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credit: Hoskins Architects

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We started in the bar, er, playroom, for some banter, and quickly moved on to explore the building.

The new NTS rehearsal room is one of the biggest in Scotland, and inspires cartwheels and bellowing vocals upon entry.

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credit: Hoskins Architects

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It was all eyes on the stunning costume department, which no longer operates from a small room and a parking lot.

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It was particularly exciting to get the low-down on how technicians set the mood and ‘paint’ with light.

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The props department was much more exciting than this, but leave it to a graphic designer to only take a photo of old oven dials.

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O Street was reunited with a leftover from our NTS collaboration Granite—always nice to see an old friend.

All told, NTS Rockvilla is a stunning display of creativity and production. Get down and see for yourself.